La Haine

After a chaotic night of rioting in a marginal suburb of Paris, three young friends, Vinz, Hubert and Saïd, wander around unoccupied waiting for news about the state of health of a mutual friend who has been seriously injured when confronting the police.

Directed by: Mathieu Kassovitz Eric Pujol Ludovic Bernard Nathalie Vierny
Genres: Drama,
Production Company: Kasso Productions, La Sept Cinéma, Les Productions Lazennec, Canal+, StudioCanal,

La Haine - How far you fall doesn't matter, it's how you land… - Azwaad Movie Database
  • Release Date: 31-05-1995
  • Runtime: 98 Minutes
  • Popularity: 13.58
  • Vote Count: 2,235
  • IMDB Rating: 8.1
  • Budget: USD 2,600,000
  • Revenue: USD 15,300,000
  • Region: France ( FR ),
  • Homepage: N/A






Photo Name Character
Vincent Cassel - Azwaad Movie Database Vincent Cassel Vinz
Hubert Koundé - Azwaad Movie Database Hubert Koundé Hubert
Saïd Taghmaoui - Azwaad Movie Database Saïd Taghmaoui Saïd
Abdel Ahmed Ghili - Azwaad Movie Database Abdel Ahmed Ghili Abdel
Souleymane Dicko - Azwaad Movie Database Souleymane Dicko Santo
Joseph Momo - Azwaad Movie Database Joseph Momo Ordinary Man
Héloïse Rauth - Azwaad Movie Database Héloïse Rauth Sarah
Rywka Wajsbrot - Azwaad Movie Database Rywka Wajsbrot Vinz's Grandmother
Olga Abrego - Azwaad Movie Database Olga Abrego Vinz's Aunt
Laurent Labasse - Azwaad Movie Database Laurent Labasse Cook
Photo Name Department
Mathieu Kassovitz-Writing Mathieu Kassovitz Writing (Screenplay)
Mathieu Kassovitz-Directing Mathieu Kassovitz Directing (Director)
Mathieu Kassovitz-Editing Mathieu Kassovitz Editing (Editor)
Christophe Rossignon-Production Christophe Rossignon Production (Producer)
Gilles Sacuto-Production Gilles Sacuto Production (Production Director)
Alain Rocca-Production Alain Rocca Production (Associate Producer)
Adeline Lecallier-Production Adeline Lecallier Production (Associate Producer)
Pierre Aïm-Camera Pierre Aïm Camera (Director of Photography)
Scott Stevenson-Editing Scott Stevenson Editing (Editor)
Giuseppe Ponturo-Art Giuseppe Ponturo Art (Art Direction)

See Full Cast & Crew of La Haine


CRCulver

Matthieu Kassowitz's La Haine (Hate) is a portrait of youth disenfranchisement and the ensuing rage set in the public housing projects outside Paris. Before this film was released, many foreign viewers knew only the well-dressed, white, reserved and educated France depicted in e.g. films of the 1960s New Wave. Even many French people were unaware of the darker undercurrents of their own society, as no film had dared to handle this subject matter before. La Haine was a bombshell. While shot in 1995, it remains entirely topical today, as riots have continued to make the news in recent years. La Haine follows one day in the lives of three young men of different ethnic backgrounds all born and raised in one particular housing project: the aggressive Jew Vinz (Vincent Cassell), the insecure, clownish Arab Saïd (Saïd Taghmaoui) and the more level-headed, pensive sub-Saharan African Hubert (Hubert Koundé). The film opens on a spring morning, in the aftermath of a riot which has rocked these youths' housing project. Some cars and buildings are destroyed, and the news reports that a police officer has lost his gun in the chaos of the night before. During the 24-hour period before the film's shocking ending, this trio tours the bittersweet environment of their housing project (violence and poverty on one hand, loving families on the other) and, in an effort to pick up money owed to them, they navigate the alien environment (rich, educated, white) of downtown Paris. This is not only a revelatory film in showing viewers a side of France they had never seen before, but it is also extremely entertaining. The performances by these relatively unexperienced actors are totally convincing, Vincent Cassell in particular. Kassowitz shuns his country's own film tradition and instead sculpts the action under inspiration from the USA. However, the "urban", "hip-hop" aesthetic he employs does not lower the film to the more vacuous Hollywood productions but instead is at the level of Spike Lee and Scorsese. The director's decision to print the film in black and white has imbued it with a gravitas that makes it timeless. That said, in spite of the fine acting and ethnographic detail, the plot itself is rather mundane, which holds me back from giving this too high a rating.

id : 5b8afc51c3a368520f02308c

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