New York comedian Alvy Singer falls in love with the ditsy Annie Hall.
Directed by: Woody Allen Frederic B. Blankfein Fred T. Gallo Kay ChapinPhoto | Name | Character |
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Woody Allen | Alvy Singer |
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Diane Keaton | Annie Hall |
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Tony Roberts | Rob |
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Carol Kane | Allison |
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Paul Simon | Tony Lacey |
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Shelley Duvall | Pam |
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Janet Margolin | Robin |
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Colleen Dewhurst | Mrs. Hall |
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Christopher Walken | Duane Hall |
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Donald Symington | Dad Hall |
Photo | Name | Department |
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Juliet Taylor | Production (Casting) |
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Ruth Morley | Costume & Make-Up (Costume Design) |
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Woody Allen | Directing (Director) |
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Woody Allen | Writing (Writer) |
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Gordon Willis | Camera (Director of Photography) |
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Chris Newman | Sound (Production Sound Mixer) |
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Robert Greenhut | Production (Executive Producer) |
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Robert Greenhut | Production (Production Manager) |
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Fred Schuler | Camera (Camera Operator) |
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Donald E. Thorin | Camera (Camera Operator) |
See Full Cast & Crew of Annie Hall
Andres Gomez
One of the most iconic Allen's movie. Funny and quite believable but I think I was expecting something else.
id : 511277dc760ee376f2767d26Wuchak
***Talky romcom with Woody Allen and Diane Keaton is consistently amusing*** A twice-divorced neurotic stand-up comedian in New York City (Woody Allen) details his perspective on life and his relationship with the scatterbrained Annie Hall (Diane Keaton). The best movie I’ve seen by Woody Allen is the excellent “Match Point” (2005), but that was a crime drama/romance/thriller whereas a lot of his films are talky romantic dramedies, which is the case with “Annie Hall” (1977), winner of Best Picture and other awards at the AA. Was it worthy of all the accolades and does it hold up? Well, I laughed consistently if that tells you anything. The movie uses techniques that were probably innovative when it was released in 1977, like Annie’s immaterial essence doing something else why her body’s in bed with Alvy (Allen). The dialogue-driven approach is refreshing (today, that is) and the way Alvy sometimes breaks the fourth wall is amusing. I also enjoyed seeing the mid-70s period in the background, like “Messiah of Evil” (1973) on the marquee and a billboard featuring DESTROYER-era KISS. The film runs 1 hour, 33 minutes and was shot in New York City & Long Island and the Los Angeles area. GRADE: B
id : 5c69b50792514129a2fbf015